Although the Moon is around 238,855 miles (or 384,400 km away), humanity has always been fascinated by it. From ancient lunar calendars to the Moon landing in 1969 to low and high tides affecting shorelines at this very moment, Earth’s natural satellite is entwined in our past and present. But how will it shape our future? Discover how the Moon Gallery — including a 3D-printed cube — aims to teach us about the unique conditions in space for future generations and extend humankind’s cultural reach into this final frontier.
Long-time i.materialise user Koenraad Van Daele combines a classical background with modern techniques, creating some truly inspiring designs. In this user spotlight, we talk to him about the inspiration and techniques behind his work and why 3D printing is so important to him.
When Koen began his first project with i.materialise in 2008, it marked a significant shift in his journey through the art world. Classically trained as a marble sculptor from the age of 18, including two years spent in Carrara, Italy — the center of the stone sculpture industry — Koen now mainly focuses his attention on vector art and 3D modeling. But what inspired the shift?
“I bought my first computer in the 90s and started using graphic programs,” he tells us. “I realized that I had a talent for drawing with software. When you work as a web designer or system engineer like I did, it’s very easy to go from one platform to another, and in between, start designing for 3D.”
The perks of 3D printing
Since 2009, when we launched our i.materialise platform, our mission is to enable creative people worldwide to design and sell their unique 3D-printed objects. One of the makers who caught our attention is Marta Cherednik, a Singapore-based 3D printing designer who runs a design studio MALINKO.
Originally from St. Petersburg, Russia, Marta has quite a peculiar background story. First, she studied geology. After graduating, she moved to Australia, where she worked in mines for a few years as a geologist. Later on, she decided to change her career. She was interested in learning how things are made and how to find a creative outlet for her ideas, so she studied Industrial Design. For seven years, she worked for an Australian train company, where she honed her skills in designing trains and learning about highly technical aspects of industrial design.
Despite the exciting job, she wanted to express her creativity, even more, so she started designing small 3D-printed objects. Her des
With walls as his canvas, renowned Belgian graffiti artist Steve Locatelli is known for his brightly colored murals and work featuring skulls. Although first and foremost a painter, Steve has recently started exploring the medium of sculpture and the use of high-tech industrial tools. His recent work, “SCRATCH 3D,” employed laser cutting to create a wall-mounted piece of intricately crossed metal bars that bridges the gap between painting and traditional stand-alone sculpture. But he wanted to take this a step further and called on designer and illustrator Peter Serruys to help him realize the next iteration – the 3D-printed “SCRATCH 4D.”
As a visual artist and photographer, Noell Oszvald was curious about expanding her 3D sculpting skills into 3D printing when she stumbled upon an i.materialise blog post featuring our 2014 Designer of the Year, Danny van Ryswyk. Inspired by Danny’s art and encouraged to bring her 3D sculpting projects to the next level with 3D printing, Noell turned to i.materialise and its services, technologies, and materials when she decided to take her first shot at 3D printing her work.
Churches are often extraordinarily decorated with grand stained glass windows and large altars. Many religious relics are displayed in the hidden nooks of cathedrals, and this is no different for the statue of Mary and her noble crown in the Cathedral of Antwerp.
Armed with the knowledge of 3D modeling and 3D printing, a background in architecture, and the will to liberate his creative mind, Korean designer Se Yoon Park has created a stunning art installation made up of 3D-printed trees. His work imitates the organic structure of trees and consists of many small geometric elements. Dive into the world of “Light, Darkness, and the Tree”.
Austrian designer Julia Koerner had a rather delicious surprise last month: Head Costume Designer Ruth E. Carter, with whom Julia collaborated closely, won the Academy Award for her work on Black Panther. The cherry on top: Ruth wore a custom 3D printed piece created by Julia for the Oscar festivities.
Let’s celebrate! Mickey Mouse is 10 years shy of being a century old — to mark his 90th, young Belgian artists reinterpreted the cartoon character’s iconic look using 3D-printed sculptures as canvases.
With the hype around the Golden Globes earlier this month and the excitement in the air around today’s Oscar nomination announcement, we thought we would take a look back to see when 3D printing was used in some of our favorite films.